Movie Reviews from Chris

★ ☆ ☆ ☆ Scary Movie (2026) Runtime: 96 minutes MPAA: Rated R for crude sexual content, graphic nudity, strong violence, and drug content and language throughout. There's a scene about halfway into the newest Scary Movie, directed by Michael Tiddes, where a character says, "it's like a reboot in a sequel, mixing legacy characters with new characters, in an attempt to feed into bullshit nostalgia and bring more fans to the theaters." That couldn't be a more apt description for the movie as a whole. With the Wayans brothers back in control, Scary Movie reunites Marlon, Shawn, Anna Faris and Regina Hall in a supposedly self-aware parody that references newer films while updating it with modern political and social topics. I say supposed, because they throw in all the ingredients and proceed to do nothing with it. As usual, it's crude and ridiculous, filled to the brim with pop culture, yet it's never funny nor has any sort of payoff. One doesn't expect muc...

★ ★ ★⯪ Obsession (2025) Runtime: 108 minutes MPAA: Rated R for strong bloody violence, grisly images, sexual content, pervasive language, and brief graphic nudity. Obsession may be one of the only films where I desperately wished for it to end because of how deeply distressing it was. I'm not exaggerating when I put this on the table. Almost everyone would be familiar with the wish-granting Genie in Aladdin, who states that (other than not being able to grant more than 3 wishes) there are three restrictions: he cannot kill anyone, cannot make anyone fall in love and cannot bring anyone back from the dead. Obsession, written, directed, and edited by Curry Barker, precisely shows you why granting a love wish is anything but a good idea in the most gritty and horrifying way possible. Tackling an emotionally prickly premise, he explores psychological possession and violation of free will in unsettling fashion. I don't normally consider this the fundamental component of a film, but ...

★★ ★ ☆ Mickey 17 (2025) Runtime: 137 minutes MPAA: Rated R for violent content, language throughout, sexual content and drug material. Parasite made history by being the first non-English language film to win Best Picture at the Academy Awards. Its legacy is still being actively discussed up to this day, and it's easy to see why. A seemingly light and breezy story descended into madness, then bleakness, as the film subtly provided a scathing commentary on the socioeconomic status and privilege of people in this cruel system of capitalism. While I'll admit that subtlety isn't my biggest strength - I tend to have slight trouble interpreting points - it's packed with so many details, twists and turns in the best way possible. Mickey 17, Bong Joon Ho's follow-up work, is anything but subtle, as it spells out the themes of immigration, colonisation and makes broad political statements in its somewhat caricatured figures. A co-production with Hollywood, it's more talk...

★★ ★★ Parasite (2019) Runtime: 132 minutes MPAA: Rated R for language, some violence and sexual content. "Parasite", according to the Merriam-Websiter Dictionary, is defined as "an organism living in, on, or with another organism in order to obtain nutrients, grow, or multiply often in a state that directly or indirectly harms the host". Scroll a little lower and the second definition reads "someone or something that resembles a biological parasite in living off of, being dependent on, or exploiting another while giving little or nothing in return". The latter, as is title of the film, precisely describes the newly formed symbiotic relationship between the wealthy Park family and the impoverished Kim family. When Kim Ki-woo (Choi Woo-sik) meet up with his friend Min-hyuk (Park Seo-joon), he convinces Ki-woo to become an English tutor for Da-Hye (Jung Ji-so), the daughter of the Park family. With the help of his sister Gi-jeong's (Park So-dam) knowledge...

★★ ☆ ☆ Masters of the Universe (2026) Runtime: 140 minutes MPAA: Rated PG-13 for sequences of violence/action, some suggestive material, and language. The planet Eternos which was once at peace is now in chaos, as Skeletor (Jared Leto) ravages the place in hopes of attaining the Sword of Power. Prince Adam Glenn, as a kid, is handed the sword and sent to Earth, but he loses it on the way there. As an adult (Nicholas Galitzine), he desperately searches for it, getting in contact with someone who claims to have found the sword. Subsequently, an old friend of his, Teela (Camila Mendes), locates him and brings him back to Eternos. Adam wields the sword which gives him newfound powers, loses a parent during the journey, gets locked up with his other mates, and they form a rebellion, ultimately triumphing over Skeletor and his army. A standard chosen one versus villain with a generic motive, Masters of the Universe intends to inject self-deprecating humour while winking at the audience, but ...

★ ★ ★⯪ Send Help (2026) Runtime: 114 minutes MPAA:  Rated R for strong/bloody violence and language. Linda Liddle's (Rachel McAdams) life is mundane and quite frankly, miserable. She's in the strategy and planning department, but also socially awkward and unappealing. The company's boss recently passed, and the CEO position has been passed down to his son Bradley Preston (Dylan O'Brien). You see, Linda's expecting a promotion as promised by her former boss, but Bradley awards the promotion to his former fraternity brother and new employee Donovan Murphy (Xavier Samuel), which causes Linda to confront Bradley. Impressed by her boldness, he invites her on a business trip to Bangkok via a company private jet, so that they can seal a company merger. Even on the plane, Bradley and his close colleagues laugh at Linda's audition tape for Survivor, which Donovan discovered. Before anything further can happen, in a dramatic sequence, the plane's engine fails, causing...

★⯪☆ ☆ Snow White (2025) Runtime: 109 minutes MPAA: Rated PG for violence, some peril, thematic elements and brief rude humor. A small peek into my thinking process: I normally know how to structure and write reviews of movies which I clearly liked or disliked, and always find myself struggling to compile my thoughts together for those that are a mixed bag. At the end of the first paragraph in my earlier review of James Gunn's Superman, I noted, "looking at what I've typed...it's such a huge mess that I don't even know if I can coherently compile this. The same can also be said about what I feel right now: I don't even know what to say. So here goes trying to synthesise all of my thoughts." Marc Webb's Snow White, a modern-day reimagining of the classic fairy tale, exceeds this confusion threshold. Yet, this shouldn't be the case, given the star rating assigned at the top of this review. Hence a rare exception. So, what to make of this Snow White, w...

★★ ☆ ☆ Mercy (2026) Runtime: 99 minutes MPAA: Rated PG-13 for violence, bloody images, some strong language, drug content and teen smoking. What if lengthy trials and endless court hearings could be replaced by a presiding judge, jury and executioner operated by Artificial Intelligence? That's a curious question to be made, but one that probably isn't a good idea, which the film Mercy eventually also demonstrates.  Written by Marco van Belle and directed by Timur Bekmambetov, Mercy has an interesting concept and raises many questions about the nature of artificial intelligence, corruption of the judicial system, human intuition and weaves them into a time-ticking mystery where Detective Chris Raven (Chris Pratt), framed for the murder of his wife Nicole (Annabelle Wallis), has to uncover the true killer in 90 minutes. Which lawmaker approved of this? Anyways, it's a decent ride for the most part, despite the suffocating screenlife format, and this might be me still recoveri...

★★⯪☆   ( 👍 ) They Will Kill You (2026) Runtime: 94 minutes MPAA: Rated R for strong bloody violence, gore, language and brief sexual content/nudity. It was the year 2019 when I was vacationing with my family in Australia. After enjoying our time walking around the streets and admiring the beach, we checked back into our hotel, and as I washed up, the television was already displaying a movie. In it, a woman in a yellow motorcycling suit was savagely slaughtering people in a Japanese restaurant, severing heads and limbs, causing blood to spray out everywhere. The title at the top-right corner read: Kill Bill: Volume 1. I was reminded about this in Kirill Sokolov's They Will Kill You, where a person's head gets cut off with a sword, causing blood to spray out in the same, ridiculous fashion. There are aesthetic and narrative inspirations, sure, but They Will Kill You has other and much simpler aspirations. Asia Reeves (Zazie Beetz) answers an advertisement to work as a maid in ...

★★ ★ ☆ Hokum (2026) Runtime: 107 minutes MPAA: Rated R for some violent/disturbing content, and language. Just when you think you know where Hokum's going, writer-director Damian McCarthy gives you something else. Here's what the synopsis reads on IMDb: A horror writer visits an Irish inn to scatter his parents' ashes, unaware the property is said to be haunted by a witch. Sounds really simple, right? Don't let that fool you. Hokum blends Irish folklore with guilt, murder and horror, an unpredictable ride that gets slack at points but mostly leaves you constantly guessing in dread. McCarthy juggles multiple things at once - a murder mystery, spiritual rot, supernatural events - and you can sometimes feel the film become a little shapeless and too subtle as you start to question its logic or intent. But the symbolism, atmosphere, sound design, negative space and pure terror generated throughout is so intense, merely this alone is enough to make it worth a watch. The fea...

★★ ★ ☆ KPop Demon Hunters (2025) Runtime: 99 minutes MPAA: Rated PG for action/violence, scary images, thematic elements, some suggestive material and brief language. I'm no stranger to K-Pop. I have many friends who share similar interests. From the aesthetic appeal, songs composed in a variety of genres to live performances, it would be an understatement to say that K-Pop hasn't had significant impact on Korean and the international stage. In some ways, it unites people together. Maggie Kang, with the help of co-director Chris Appelhans, created KPop Demon Hunters to tell a personal story, blending elements like mythology, demonology and K-Pop to create a culturally grounded film. It's clearly a desire to share her experiences to the world. They use a relatively simple good-versus-evil tale but attempts to deconstruct it by fixating on fractured identity, a challenge they rise up to admirably enough. KPop Demon Hunters works best when it examines the conflicted nature of ...